Determine natal birth chart

♀ VENUS. A person perceives many things not as an abstract observer, but with the feeling of being included in the human race as a whole or in one or another of its narrower layers. This applies to aesthetics, which are much more socially conditioned than it seems at first glance, and especially the human perception of individuals, communities and social situations. Of course, he does not always realize this and fixes it, but his view of what is happening in such situations is always socially conditioned, maybe positively or negatively, but, in any case, his social egregore looks through a person at what is happening around him and in a certain way directs and narrows attention (and consciousness) and to a certain extent acts on the will. At the same time, Venus is a level 2 planet, and its influences should be considered as largely controlled by man, at least at the third or fourth level of its development.

So: Venus is active when a person perceives what is happening outside (inside) him, while feeling his involvement in society, subconsciously focusing on the social schemes intuitively felt by him. It should be emphasized here that "orienting" means "keeping in mind" rather than "obeying"; with the defeat of Venus, a person often perceives social moments exactly the opposite in relation to the views of his society, which, of course, also means being oriented to these views.

If the Moon controls the social programs of the smallest and largest social egregors associated with a person, i.e. family (or egoic) and ethnic, then Venus determines the influence of all intermediate social egregors - the social stratum, group, etc. The first strong inclusion of Venus occurs during the 14-year adolescent crisis (opposition of transiting Saturn to its radical position), when the child suddenly feels an urgent need to be like everyone else and, to the horror of parents, tries to speak and dress in the standard way accepted in his social group; i.e., speaking in the occult language, trying to connect to the group egregor. The inevitable banality of its manifestations will be a sign of inclusion in egregor, i.e. successful study of Venus (and does not at all mean a loss of individuality, as it seems to parents), and, by the way, will become the key to his further successful social, emotional and personal life, which are largely determined by the study of Venus.

Venus is the goddess of love and beauty, but as a planet she gives the socialized aspects of both; in particular, the biological aspects of love and divine love are not ruled by Venus, but by the Moon and Neptune, respectively.

Venus plays a very important role in preparing a person for true religiosity (ruled by Neptune), i.e. perception of higher egregors and vibrations. At a low level of development of the soul, a person practically does not feel them, and his faith, of course, can only be mental (“I believe because people I respect say that there is a God”). At the same time, the social egregor is much lower, its vibrations and energy are tangible for any person, and by strong aesthetic, love and collective experiences, a person can get the first approximate idea of ​​​​what true religiosity and inclusion in higher egregors. It is difficult to feel and love humanity as a whole (although it is easy to talk about it), but true Venusian inclusion, albeit in a small collective, gives a very significant progress along the path of developing religious feeling; it is not only necessary to set limits for oneself by fetishizing one's group or beloved, i.e. profaning the higher egregore by the lower.

In the aesthetic field, Venus again gives a socially oriented view, and individual aesthetic experiences that are completely unrelated to society, coming from the feeling of the higher “I” of a person of the subtle harmony of the Cosmos and evolution, are rather controlled by higher planets, especially Neptune. However, Venus symbolizes the internal principle of human socialization, i.e. his intimate inclusion in society, and, in particular, the impossibility of completely separating a person's personal aesthetics from the social one. Aesthetics gives a fine adjustment of behavior and attitude to the world; it speaks where ethics has long been silent, i.e. the criterion of "good-bad" is much rougher than "beautiful-ugly", and in particular "more harmoniously-less harmoniously". Therefore, developed Venus gives subtle socialization, the ability to listen to the social egregore not with a rough mind (Mercury), but with a subtle aesthetic feeling - a skill that is extremely necessary for diplomats and censors.

In love, Venus gives the first non-biological feeling of connection with another person: love is always love for God, but love according to the Moon is love for a person as a biological being, and love according to Venus is the perception of another person as a social being, which gives an incomparably wider channel to comprehension of true cosmic love. Vibrant flashes of romantic love in adolescence - whether for a partner of the opposite or same sex, a teacher or a movie star - are always socially Venusian in origin; after several successful sexual acts, and especially after the appearance of a family and children, Venus most often imperceptibly concedes its functions to the Moon. Love according to Venus differs from love according to the Moon in much the same way as champagne differs from bread kvass; the latter is also not bad, but does not cause much inspiration. Venusian love implies a certain work of a person in a social egregore, but with strong feelings it is difficult to stay there for a long time, because you really want to turn the space around yourself and not think about anyone else - and this is already a lunar state. Venusian love is characterized by high demands on the aesthetic design of relationships - beautiful gestures, flowers, gifts, poems, or, in extreme cases, rhythmic prose. All this, if it happens sincerely, turns biological feelings into social ones, which means, through a step, into divine ones. God is everywhere, and most importantly His manifestation is love, but you need to see it. And the easiest way to perceive Divine love is through social egregore, where two main feelings are provided for it: Venusian aesthetic experiences and love.

Although Venus implies passive perception, a strong magnetic field of attraction comes from a person who has it strongly turned on at the moment, and this is a very real force broadcast by his social egregor. Energy (especially sexual) is very well transmitted through this field, so getting into it can feel like a strong blow: you begin to be irresistibly drawn to this person, although he apparently does nothing for this and does not even try to do it.

At the first level of the study of Venus, aesthetic feelings, i.e. the ability to see God and cosmic harmony in the surrounding objects and phenomena is very poorly developed, a person is almost indifferent to the external design of his life, as long as it is rather artless. His social egregor means the simplest operational ethics, i.e. the principle that what is beautiful and good is what is useful and functional (more precisely, what is useless is bad, and the concept of “beautiful” is not included in the personal thesaurus at all).

At this level, social ethics is very primitive: a person does not at all feel such subtleties as the mood of the interlocutor or the spirit of the team, and reacts only to direct instructions, threats, or, best of all, physical methods of influence; the latter, however, perceives very well and remembers for a long time. Here the culture of feelings is very low, coarse emotions predominate: anger, hatred, lust, gloating, envy, jealousy, but all this is in completely rigid forms, unambiguously programmed by the social egregore, it is no coincidence that the manifestations of these feelings in different people are so similar.

At this level of study of Venus, love is felt, first of all, as a sexual attraction, due to agreement with the social erotic norm: the lines and proportions of the face and figure defined in a given society as a sexual ideal, gait, manners of behavior in society, etc. In case of disagreement with this norm, the partner is not considered at all as an object of love (although sexual relations with him are possible according to the lunar animal type, and they are even typical for the first level of Venus’s elaboration, since the social erotic ideal is very rare in life, and one can only rely on an unpretentious , at least in aesthetic terms, the Moon: "do not drink water from your face" - a typical lunar saying). And in general, all behavior in love at the first level of Venus’s development is, for the most part, a strict dictate of the partner’s behavior and, in many respects, the person himself: everything must happen according to clear social canons, as is customary in this circle - both in external manifestations and in spiritual life . All non-standard and unforeseen emotions are repressed, suppressed and ignored. Here the social stamps of perception are absolute.

At the second level of study of Venus, the aesthetic feeling still strictly complies with social norms, but begins to play a greater role in a person's life than at the previous level. A person begins to think in terms of "beautiful - ugly", and this becomes an essential circumstance for him, sometimes determining an important choice. Beautiful things, especially prestigious ones, can become the object of almost religious worship and adoration, and this is the maximum religiosity that a given person is capable of; however, with the harmonious aspects of Venus, it is possible to fall into a state of samadhi for a short time.

Here the social ethics is very rigid, but the details are already beginning to differ: the fork should be held in the left hand, and the bones should not be thrown under the table, but put on your plate; in general, rituals and forms acquire conscious significance, including everyday and religious ones, for example, a person can observe church rites with interest, remaining indifferent to religion; if he is a believer, then the beauty of the rite strongly supports his religious feelings.

The inner life already admits many, albeit standard, shades; the world of socially programmed positive feelings opens up; romantic love according to a book or movie stencil, kindness in a narrow sense and not to the detriment of oneself, a feeling of sincere gratitude, the concept and elements of selflessness, etc.; in parallel, a person learns to allow and see these feelings and states also in others.

At this level, a person already adapts relatively well in society, at least in his narrow stratum, and can, especially with a harmonious Venus, receive great satisfaction and joy from social contacts, feeling great unity with the egregor of his group or stratum; the rigidity of management does not bother him.

At the third level of the study of Venus, personal perception is separated from public clichés, some freedom appears in aesthetic and social perception: I can look at how it is accepted in my circle, or I can do it myself. However, this personal aesthetic and social and ethical view is still weak, a person is not sure of the correctness and generally legitimacy of such a way of perceiving and evaluating the surrounding and inner world that is not sanctioned by society. At this level, the aesthetic sense is developed incomparably more strongly and in more detail than at the previous one; a person begins to see details that are not noticed by the public aesthetic consciousness, and it seems to him that they, and even whole works of art, are, as it were, addressed to him personally, which creates a qualitatively different aesthetic sensation, which can already be called pleasure. With a strong inclusion in the aesthetic egregore, artistic or literary creativity becomes possible here. The ethics of social contacts becomes flexible, a person feels well not only the unwritten rules of behavior in his circle, but also the boundaries in which these rules can be violated by the originality of his charming personality. This person is pleasant, socially interesting (i.e. everyone willingly invites him to visit and semi-formal meetings, social events, etc.) and is perceived as beautiful; in any case, it looks nice and original. The inner emotional life begins to be evaluated from ethical and aesthetic positions; this person will consider some of his feelings and spiritual movements to be wrong, inappropriate or ugly and will try to get rid of them, at first by inept suppression. In addition, a person discovers that his emotional state greatly affects his environment and that by broadcasting soft Venusian radiation - for example, a soft smile and intonation, beautiful clothes, posture and movements - one can easily achieve many significant results that are difficult to achieve by others, for example, direct activity of Mars. In love, this person can rise to great heights of creative inspiration, to some annoyance of his beloved, who most likely counts on more earthly manifestations of his feelings than magnificent odes and even elegies. Only at this level can Venusian love become truly unselfish; and a person can perceive the object more or less as it is, at least with its individual characteristics that do not go through the censorship of social clichés.

At the fourth level of the study of Venus, the aesthetic principle begins to displace the ethical in its narrow social understanding. Now a person is less dependent on social aesthetic and ethical norms, although he is aware of them and constantly has in mind; however, social templates for him are often narrow and almost always insufficient, since his ethics and aesthetics must be much more precise, and they are determined directly by the egregore leading the person, often bypassing the social ones. At this level, a person must constantly live beautifully and accurately, and his requirements for himself are much higher than those established by society, but people usually do not notice this. It’s just that a person is strongly drawn to him, it’s very pleasant to look at him, no matter what he does or says, it seems that you can immediately shoot a feature film from him. At the same time, it is difficult to get close to him, you feel as if you are not clean enough. On the other hand, contact with such a person leads to inner purification and causes a strong desire to become better, more harmonious inside and more beautiful on the outside.

At the fourth level of the study of Venus, a person can work directly in the social egregore. On a material level, this means that its ethical and aesthetic influences are so strong that they become fashionable and change the perception of the world among large groups of people; these are major artists, publicists, public figures, rarely politicians. In the inner life, a person learns to distinguish between feelings and emotions induced by the public subconscious, and, so to speak, his personal ones, and not to depend on either one or the other, but to control them at will in order to achieve the most adequate behavior in the social environment. These are actors of a very high class, pursuing not egoistic, but evolutionary goals, in particular, practical spiritual teachers.

Venus symbolizes a beautiful or showy woman, emphatically not a motherly or non-sisterly figure. For men, this can be a lover, but socially emphasized as not a wife, for a woman - a love affair, where she will act in the social role of a lover (it doesn’t matter, with a man or a woman), or, with the defeat of Venus, a rival.

Venus rules Libra and Taurus. From Libra, Venus receives an intuitive sense of higher harmony, the ability to feel the proportionality of parts and the aesthetics of the development of complex processes, from Taurus - a wonderful earthly, tangible impact on the world around; her motto is "what is beautiful is real".

Venus culminates in Pisces. From Pisces, developed Venus receives squeamishness, the ability to adapt to any situation and find aesthetics and adequate, or at least acceptable, ethics when it seems impossible in principle.

The situation of Venus is in its purest form at a classical music concert and at a mathematical seminar on the theory of Galois or algebraic numbers; main features: exact harmony, proportionality and balance of parts, accentuation on the aesthetic moment; high appreciation in this social circle and inaccessibility to the rest of humanity.

Venus reigns at magnificent performances, balls and concerts, shines at ballet and opera, smiles at holidays and carnivals, triumphs in museums. She (sometimes along with Mars) leads in her lower octave scenes of jealousy, which are caused by the social subconscious to a much greater extent than one would like to think.

Venus rules at social gatherings, where one must say exactly what is required, in high society parlors and at diplomatic receptions, official banquets and the like. Venus shines on lovers at the first time of their feelings, and she, but with her other light, illuminates their break and parting. Unrequited and unrequited love also goes under Venus, in contrast to mutual, which quickly transforms into a lunar one. Venus is ruled by love for science, art, social activities, but not for the homeland and family (the Moon is the mistress here). Charity and mercy can be ruled by both Venus and the Moon, depending on the shades and methods of their design - it will be useful for the reader to think about this for himself and write down his thoughts in the textbook, on the following lines left free.

The man of Venus, in whose chart this planet is stronger than the others, will be very closely connected with the public consciousness and subconsciousness. The ethics and aesthetics prevailing in his social stratum will fascinate him; depending on the aspects of Venus, he will either completely obey them, or fight desperately with them, but it will be very difficult for him to treat them calmly and develop his personal aesthetic criteria and ethical rules, although the people around him are in great need of it.

Beauty and feelings, especially socially valued, will play a big role in his life. Most likely, he will not only love painting, poetry, music, but he will also draw and play several musical instruments, not to mention poetry. He will judge many, perhaps too many things from an aesthetic point of view: “I didn’t like this person, he has too crooked ears.” Perhaps behind these too crooked ears there is a flaw in the moral character? A person of Venus can receive information in this way, but he must learn to read his aesthetic signs, and this is not easy. Venusian laziness and exactingness to the environment must be turned into diligence and strictness towards oneself, for which one will have to delve into one’s inner world and understand that the beauty of the soul is expressed mainly in constant impartial attention and is embodied in precise actions performed at the right moments. time.

For a man of Venus, to live means to love, but lunar love is boring to him. In case of defeat, the career of Don Juan or Manon Lescaut is possible, but, of course, in the social environment where our hero rotates. In any case, there will be a lot of love in his life, he will be loved by women, men and entire teams, but not always those and in the way he would like; however, he himself will for a very long time experience from time to time the characteristic excitement of the heart. Venusian love comes, as a rule, suddenly, and always forever - at least, so the heart promises.

Weak Venus gives difficulties in social contacts; a person hardly perceives the unwritten laws of his stratum and the group in which he moves. He is not accepted “with a bang” in companies, but if he takes the trouble to smile more often and listen carefully to what they say to him, he can even get into quite elite layers if he wants. In general, the weakness of the planet means the non-violence of karma: a person must choose whether to develop the principle of this planet or not. But in principle, weak Venus is little interested in human contacts as such, and the thought of a new acquaintance or the prospect of going out into the world does not warm her in itself. This person does not emphasize the aesthetic aspects of life; he, most likely, will not pay attention to the beauty of an old mansion or the color of a sunset; he also does not understand how you can run after a woman just because she has beautiful legs. It is easier for him to think in rigid ethical terms than in vague and floating (for him) aesthetic criteria. The expression "beautiful gesture" in his mouth has a purely negative meaning, it is difficult for him to perceive beauty in life without attracting pragmatic considerations. He is aesthetically unpretentious and not inclined to adorn himself (appearance, speech, manners, etc.); at high levels of development of Venus, he, nevertheless, will do this, but with the aim of pleasing (and perhaps aesthetically developing) those around him.

Internally, he feels like an outsider in this world, especially during social contacts. Love with a social flavor, romantic, not meant to have offspring as soon as possible, will visit him rarely or never, and in any case will arouse weak feelings; but there will be no accompanying negative affects (jealousy, melancholy). For a developed personality, this is even good, because it does not divert attention from a more elevated love for one's people or all of humanity (Moon) or for God (Neptune). At a low level, however, Venus is replaced by the Moon, and a person can be very bored, just as he is bored with others and in general in social, but not exclusively biological situations.

Harmonious Venus enjoys constant social success; people generally love her. It is pleasant to talk to her, she knows how to listen, inserting short pertinent remarks from time to time: “Oh, how true”, “extraordinarily interesting”, “what a deep thought, I would never have thought”, or simply “Oh, learning!”. Trines to the Moon and the Ascendant often give external beauty, efficiency, or, in any case, the possibility of creating an appropriate external image. Love for art and its good perception, the ability not to see the ugliness of people and life. The propensity for romantic love, the ability to beautifully court and accept courtship, harmony and social alignment of the corresponding emotions. In general, family and group conformism, it is very difficult to decide to go against society, and even more difficult to go against it. Strong germination of social and group ethics into the personal subconscious, and it is very difficult for a person to figure out whether he really considers this and that to be right or wrong, acceptable or not, or is it the tips of a social egregore. In an undeveloped version, harmonious Venus gives laziness, identification with society, attitude to someone else's love as a given (position: “would he dare not love me!”), Social vampirism (position: “I make you all happy with my very presence, so please entertain me”) and, ultimately, the loss of social moral sense. Elaboration gives artistic and artistic talents, the gift of constructive communication with people, diplomatic abilities, the ability to gently manage the team and regulate its karma, shaping the ethics and aesthetics of the public subconscious. Around this person, roses always seem to bloom, with the additional quality of a deodorant.

Affected Venus gives a pronounced anti-social perception. The public consciousness and subconsciousness actively do not suit a person, but this can be expressed in different ways, depending on the card as a whole. A developed afflicted Venus gives a heightened social conscience and the ability to constructively deal with the most acute social problems and even fill in the most gaping gaps in the ethics of a social egregor. An undeveloped struck Venus can give social nihilism (active or passive), rebellion, attempts to defend one's undeveloped personality from the encroachments of a vile society with a thick wall of brick selfishness, etc., depending on the position of Venus in the sign, house and its aspects.

Relations with people are built with difficulty, although the beginning can be the most stormy and cloudless (squares at their first manifestation often look like trines - fate traps a person with a gingerbread, in the middle of which there is a steel hook). With poor elaboration - high demands on others, on their ethics, manners and appearance (sometimes this is forced out of consciousness, but aesthetic capriciousness will be necessary), if there are oppositions - mental projections of their aesthetic and ethical shortcomings on partners and society as a whole. When working through, on the contrary, the requirements for personal ethics and aesthetics increase, a person begins to look for guilt and the cause in himself in all disharmonious situations.

The aesthetics are either very original, unlike anything else, or with a clear anti-social orientation (hippies, etc.); when working out it is interesting, in its absence, most often, ugly. It is very difficult for an artist or writer with afflicted Venus to create, for him the torments of creativity are quite real torments; often there is no inspiration for a long time or it is such that it would be better if there was none at all. It is necessary to look, albeit with difficulty, for creative ways of cooperation with the social egregore, otherwise overloading the psyche can lead to a madhouse.

There will be a lot of love, or rather, the accompanying troubles and torments; in relations with people, a person has, as they say, a difficult character. However, he can become hardened and consciously exploit the love of others for selfish purposes - then (he hopes) they will work on his struck Venus. In reality, however, each person lives according to his own map, and the reluctance to voluntarily work through tense aspects narrows the already not very spacious walls of the labyrinth of karma.

Such a person has a cheerful character and a good disposition. He is happy, as he actively shows beauty, harmony, intuition and balance. Enjoys life, likes to dress beautifully, loves to be pampered by others. He strives for beauty in the surroundings and..

Such a person knows how to earn money, likes to be pleased with himself and is able to succeed, so he can be safely considered as a person happy and satisfied with his life. Public position is of great importance to him, so he..

The childhood of such a person is harmonious and bright. He treats relatives and neighbors well, easily reaches a compromise, is peaceful and sensitive in understanding the positions of other people. He has a refined intellect and is able to express himself well. Loves..

Such a person adores his parents, as a rule, they are wealthy people. A well-ordered family life is of great importance to him. He loves to please people and is highly sensitive to everything that happens in his life.

The love affairs of such a person are happy and successful. Children give him a lot of pleasure, and exchange transactions are most often completed successfully. He loves art and has many creative abilities. He is distinguished by natural talent as an actor.

Such a person develops excellent relationships with colleagues, as he is inclined to provide everyone with services and provide assistance. He wants others to respect his special habits. Often works in a women's team. Labor is associated with art, in..