God bless you to be different. I loved you. Love yet? May be. Augmented

Alexander Pushkin

I loved you: love still, perhaps
In my soul it has not completely died out;
But don't let it bother you anymore;
I don't want to sadden you with anything.

I loved you silently, hopelessly.
Either timidity or jealousy languish;
I loved you so sincerely, so tenderly,
How God forbid you be loved to be different.

Ivan Bunin

A calm gaze, like that of a doe,
And everything that I loved so dearly in him,
I still have not forgotten in sorrow.
But your image is now in a fog.

And there will be days - sadness will fade away,
And the dream of remembrance will shine,
Where there is neither happiness nor suffering,
But only the all-forgiving distance.

Joseph Brodsky

From "Sonnets of Mary Stuart"

I loved you. Love still (perhaps
that's just pain) drills into my brain.
Everything was blown to pieces.
I tried to shoot myself, but it's difficult
with weapon. And next: whiskey:
which one to hit? Spoiled not trembling, but
thoughtfulness. Crap! Everything is not human!
I loved you so much, hopelessly,
how God grant you others - but will not!
He, being much more
will not create - according to Parmenides - twice
this heat in the blood, wide-boned crunch,
so that the fillings in the mouth melt from thirst
touch - "bust" cross out - mouth!

Alexandra Levin

A poem written using the Russian word constructor program

I clubbed you. The club is still bear
in my milk mushroom with sour nightingale,
but she will not cut your mouth more pitifully.
I'm not joking with PM's haughtiness.

I do not frame you as a lie.
Peignores of your seduced seduction
I'm sickening like bulk darkness,
like a whole and glassy lie.

You are nobody to me, nobody muddy.
There is a mine in my chest, but not quite.
Oh, alas!
I am stealing a new policy for you! ..

I swirled you so flutically and carnally
sometimes by floatiness, then by mentality we languish,
I swirled you so hellishly and awesomely,
like a flag in your hands naked to be different.

Fima Zhiganets

I dragged myself with you; maybe from coming
I also did not fully recover;
But I will not ride under the murkovod;
In short - the star of love.

I trudged along with you without tavern show-offs,
Now he was under the jacks, now he was in the jitters;
I trudged with you without a bulldozer, fraternally,
How the hell is someone dragging you already.

Constantine Wegener-Snaigala

Ministry of Literature of the Russian Federation

Ref. No. _____ dated October 19, 2009

Deputy Head of the Department of Inspiration, Ms. ***

Explanatory

I hereby bring to your attention that I carried out the process of love in relation to you. There is an assumption that this process was not completely extinguished in my soul. In connection with the foregoing, I ask you to ignore possible anxious expectations regarding the partial continuation of the above process. I guarantee that I will not intend to inflict inconvenience in the form of sadness by any means available to me.

There is a need to clarify that the above process was carried out by me in conditions of silence, as well as hopelessness, while it was accompanied by such phenomena as, alternately, timidity and jealousy. In the implementation of the above process, I have attracted such means as sincerity, as well as tenderness. Summarizing the foregoing, let me express my confidence in the adequacy of the further implementation of processes similar to the above in relation to you by third parties.

Sincerely,
Head of the Department of Literary Innovations Pushkin A.S.
Use Ogloblya I.I.

Yuri Lifshits

I stuck with you; junkie still, in kind,
My brain is no longer in the middle of nowhere;
But I won’t blow you up foolishly;
It’s dumb for me to push you empty.

I stuck with you, squirming on treason;
Now he drove a blizzard, then he threw himself into the smoke;
I stuck with you, not working on a hair dryer,
As in the hands of the flag you hang around with another.

This is one of the brightest examples of love lyrics by Alexander Sergeevich Pushkin. Researchers note the autobiographical nature of this poem, but they are still arguing which particular woman these lines are dedicated to.

Eight lines are permeated with the true bright, quivering, sincere and strong feeling of the poet. The words are excellently chosen, and despite their miniature size, they convey the whole gamut of experienced feelings.

One of the features of the poem is the direct transmission of the feelings of the protagonist, although this is usually compared with or identified with natural scenes or phenomena. The love of the protagonist is bright, deep and real, but, unfortunately, his feelings are unrequited. And because the poem is imbued with a note of sadness and regret about the unfulfilled.

The poet wants her chosen one to love her as “Sincerely” and “tenderly” as he does. And this becomes the highest manifestation of his feelings for his beloved woman, because not everyone is able to give up their feelings for the sake of another person.

I don't want to sadden you with anything.

The amazing structure of the poem, the combination of cross-rhyming with internal rhymes, help build the story of a failed love story, building a chain of feelings experienced by the poet.
The first three words, “I loved you,” deliberately do not fit into the rhythmic pattern of the poem. This allows, due to an interruption in rhythm and the position at the beginning of the poem, to make the author the main semantic accent of the poem. All further narration serves to reveal this thought.

The same purpose is served by the inversions of "make you sad," "be loved." The phraseological turn crowning the poem (“God grant you”) should show the sincerity of the feelings experienced by the hero.

Analysis of the poem I loved you: love is still, perhaps ... Pushkin

Alexander Sergeevich Pushkin wrote a work, the lines of which begin with these words - "I loved you, love still, perhaps ...". These words shook the soul of many lovers. Not everyone could hold back a secret sigh when reading this beautiful and tender work. It is worthy of admiration and praise.

Pushkin wrote, however, not so mutually. To some extent, and indeed it is, he wrote about himself, wrote about his emotions and feelings. Then Pushkin was deeply in love, his heart fluttered at the mere sight of this woman. Pushkin is just an extraordinary person, seeing that his love is unrequited, he wrote a beautiful work, which nevertheless made an impression on that beloved woman. The poet writes about love, about the fact that despite what he feels for her, this woman, he still will not love her anymore, will not even look in her direction, so as not to cause her embarrassment. This man was both a talented poet and a very loving person.

Pushkin's poem is small in size, but at the same time, it contains and conceals a lot of emotions and strength, and even a little bit of some kind of desperate torment of a man in love. This lyrical hero is fraught with torment, as he understands that he is not loved, that his love will never be reciprocated. But all the same, he holds on heroically to the end, and does not even force his love to do anything to satisfy his egoism.

This lyrical hero is a real man and a knight, capable of selfless deeds - and even if he misses her, his beloved, he will be able to overcome his love no matter what. Such a person is strong, and if you try, maybe he will be able to forget his love by half. Pushkin describes feelings that he himself is well aware of. He writes on behalf of a lyrical hero, but in fact, he describes his emotions that he is experiencing at that moment.

The poet writes that he loved her immensely, sometimes hoping again and again in vain, sometimes he was tormented by jealousy. He was gentle, not expecting from himself, but still says that he loved her once, and has almost forgotten her. He also gives her, as it were, freedom, letting go of his heart, wishing her to find someone who can please her, who can earn her love, who will love her as much as he once loved. Pushkin also writes that love may not have died out completely, but it is still ahead.

Analysis of the poem I loved you: love is still, perhaps ... according to plan

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In the spring of 1820, he was expelled from St. Petersburg to the southern provinces for "outrageous poems that flooded all of Russia." In the late 1820s, the poet was allowed to return to the capital. He breathes the damp air of St. Petersburg, the air of freedom. The poet is not even 30, but his youth ended on December 25th. Youth is hanged, youth is exiled to the mines. On the margins of manuscripts, he still draws the gallows...

For seven years there was no poet in St. Petersburg. Upon arrival, he visits Alexei Nikolaevich Olenin, president of the Academy of Arts, a dignitary, a nobleman, but a sweet, kind person and a hospitable host.

In this house, young Pushkin, only having fluttered out of the lyceum, once found those people who became relatives and friends for life. Here the poet met Zhukovsky and Karamzin, Mickiewicz and Glinka...

Arriving at the house of the Olenins, Pushkin saw a twenty-year-old beauty, smart, brilliant, in whose album the best poets hurried to write down their delights. Then, seven years ago, it was something small, light, tender. The girl - her name was Anechka, Anet - was the daughter of the owners. Pushkin immediately fell in love with Annette.

It was May. Northern nature was slowly waking up. Pushkin also flourished. He called the girl "dragoon", persistently courted, wrote poetry. And what about Annette? In her diary, she writes that the famous Pushkin is the most interesting person of his time, that God gave him a genius, but did not reward him with an attractive appearance. In the girl's eyes - "his face was expressive, but some malice and mockery overshadowed the mind that was visible in blue or, rather, glassy eyes. The Arab profile did not adorn his face. Yes, and add to that terrible sideburns, disheveled hair, nails like claws, short stature, a daring look at women, whom he distinguished by love, the strangeness of the natural disposition ... Among the features of the poet was that he had a passion for small legs.

Yes, the poet fell passionately in love, and the girl was only flattered that the genius fell at her feet. But Pushkin's indefatigable ardor was partly transmitted to Annette: she still did not love, but was no longer indifferent.

On the margins of the manuscripts, the poet, bypassing the caution of the mind, wrote with his heart - "Aneta Pushkina." Finally, he made up his mind and made an offer, but was refused ... by the girl's mother. Yesterday, a disgraced poet, today, entering fame and fashion is one thing, but a relative, but the husband of his daughter, the maid of honor of the Empress, is quite another!

Pushkin suffered greatly. With his temperament, pride - a refusal to receive! It hurt him that the girl hid behind her mother's skirt. But, most likely, she did not love him enough, what can you do ...

The poet stopped visiting the Olenins, and wrote lines that today we know by heart, and which we never tire of admiring:

I loved you, love still, perhaps
In my soul, it has not completely faded away,
But don't let her worry you anymore
I don't want to sadden you with anything.
I loved you silently, hopelessly,
Now with timidity, now with jealousy we languish,
I loved you so sincerely, so tenderly,
How God forbid you loved to be different.

In these verses, the whole of Pushkin: the soul, peered into itself, managed to recover from the blow, and found not revenge in inseparability, but a wish for happiness. Only love could create this. Nothing that hasn't happened... Love can be unrequited, but it can't be unhappy...

“I loved you: love is still, perhaps ...” Alexander Pushkin

I loved you: love still, perhaps
In my soul it has not completely died out;
But don't let it bother you anymore;
I don't want to sadden you with anything.
I loved you silently, hopelessly,
Either timidity or jealousy languish;
I loved you so sincerely, so tenderly,
How God forbid you loved to be different.

Analysis of Pushkin's poem "I loved you: still love, perhaps ..."

Pushkin's love lyrics include dozens of poems written in different periods and dedicated to several women. The feelings that the poet experienced for his chosen ones are striking in their strength and tenderness; the author bows to every woman, admiring her beauty, intelligence, grace and a wide variety of talents.

In 1829, Alexander Pushkin wrote, perhaps, one of his most famous poems, “I loved you: still love, perhaps ...”, which later became a talent. Historians to this day argue about who exactly this message was addressed to., since neither in the drafts nor in the final version did the poet leave a single hint of who is the mysterious stranger who inspired him to create this work. According to one of the versions of literary critics, the poem "I loved you: love still, perhaps ...", written in the form of a farewell letter, is dedicated to the Polish beauty Karolina Sabanskaya, whom the poet met in 1821 during his southern exile. After suffering from pneumonia, Pushkin visited the Caucasus and on the way to Chisinau stopped for several days in Kyiv, where he was introduced to the princess. Despite the fact that she was 6 years older than the poet, her amazing beauty, grace and arrogance made an indelible impression on Pushkin. Two years later, they were destined to meet again, but already in Odessa, where the poet's feelings flared up with renewed vigor, but were not reciprocated. In 1829, Pushkin sees Karolina Sabanska for the last time in St. Petersburg and is amazed at how old and ugly she has become. There was no trace of the former passion that the poet felt for the princess, however, in memory of past feelings, he creates a poem “I loved you: love is still, perhaps ...”.

According to another version, this work is addressed to Anna Alekseevna Andro-Olenina, married to Countess de Langeron, whom the poet met in St. Petersburg. The poet was captivated not so much by her beauty and grace as by her sharp and inquisitive mind, as well as the resourcefulness with which she fended off Pushkin's playful remarks, as if teasing him and tempting him. Many people from the poet's entourage were convinced that he had a stormy romance with the beautiful countess. However, according to Pyotr Vyazemsky, Pushkin only created the appearance of an intimate relationship with a well-known aristocrat, since he could not count on reciprocal feelings on her part. An explanation soon took place between the young people, and the countess admitted that she saw in the poet only a friend and an entertaining interlocutor. As a result, the poem "I loved you: love still, perhaps ..." was born, in which he says goodbye to his chosen one, assuring her that let his love "do not bother you anymore."

It is also worth noting that in 1829 Pushkin first met his future wife Natalya Goncharova, who made an indelible impression on him. The poet seeks her hand, and against the backdrop of a new passion, lines are born that love "in my soul has not completely died out." But this is only an echo of the past passion, which gave the poet a lot of sublime and painful minutes. The author of the poem admits to a mysterious stranger that he "loved her silently, hopelessly", which unequivocally indicates the marriage of Anna Alekseevna Andro-Olenina. However, in the light of a new love interest, the poet decides to give up trying to conquer the countess, but at the same time he still has very tender and warm feelings for her. This is precisely what can explain the last stanza of the poem, in which Pushkin wishes his chosen one: "So God grant that you be loved to be different." Thus, the poet draws a line under his passionate romance, hoping for a marriage with Natalia Goncharova and wishing that the one to whom this poem is addressed should also be happy.

I loved you: love still, perhaps, In my soul has not completely died out; But don't let it bother you anymore; I don't want to sadden you with anything. I loved you silently, hopelessly, Now with timidity, now with jealousy; I loved you so sincerely, so tenderly, How God forbid you be loved to be different.

The verse "I loved you ..." is dedicated to the bright beauty of that time Karolina Sobanskaya. Pushkin and Sobanskaya first met in Kyiv in 1821. She was 6 years older than Pushkin, then they saw each other two years later. The poet was passionately in love with her, but Carolina played with his feelings. She was a fatal socialite who drove Pushkin to despair with her acting. Years have passed. The poet tried to drown out the bitterness of an unrequited feeling with the joy of mutual love. In a wonderful moment, the charming A. Kern flashed before him. There were other hobbies in his life, but a new meeting with Karolina in St. Petersburg in 1829 showed how deep and unrequited Pushkin's love was.

The poem "I loved you ..." is a short story about unrequited love. It strikes us with its nobility and true humanity of feelings. The unrequited love of the poet is devoid of any selfishness.

Two epistles were written about sincere and deep feelings in 1829. In letters to Carolina, Pushkin admits that he experienced all her power over himself, moreover, he owes her the fact that he knew all the shudders and torments of love, and to this day feels fear in front of her, which he cannot overcome, and begs for friendship, which he is thirsty, like a beggar begging for a chunk.

Realizing that his request is very banal, he nevertheless continues to pray: "I need your closeness", "my life is inseparable from yours."

The lyrical hero is a noble, selfless man, ready to leave his beloved woman. Therefore, the poem is permeated with a feeling of great love in the past and a restrained, careful attitude towards the beloved woman in the present. He truly loves this woman, takes care of her, does not want to disturb and sadden her with his confessions, he wants her future chosen one's love for her to be as sincere and tender as the poet's love.

The verse is written in two-syllable iambic, the rhyme is cross (line 1 - 3, line 2 - 4). Of the visual means in the poem, the metaphor “love has faded” is used.

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A poem by A.S. Pushkin "I loved you: love still, perhaps" (Poems by Russian Poets) Audio Poems Listen...

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I loved you: love still, perhaps, In my soul has not completely died out; But don't let it bother you anymore; I don't...