Let love no longer disturb. Pushkin and Brodsky. We repeat only one word: another word. Brodsky, "Strophes

This is one of the brightest examples of love lyrics by Alexander Sergeevich Pushkin. Researchers note the autobiographical nature of this poem, but they are still arguing which particular woman these lines are dedicated to.

Eight lines are permeated with the true bright, quivering, sincere and strong feeling of the poet. The words are excellently chosen, and despite their miniature size, they convey the whole gamut of experienced feelings.

One of the features of the poem is the direct transmission of the feelings of the protagonist, although this is usually compared with or identified with natural scenes or phenomena. The love of the protagonist is bright, deep and real, but, unfortunately, his feelings are unrequited. And because the poem is imbued with a note of sadness and regret about the unfulfilled.

The poet wants her chosen one to love her as “Sincerely” and “tenderly” as he does. And this becomes the highest manifestation of his feelings for his beloved woman, because not everyone is able to give up their feelings for the sake of another person.

I don't want to sadden you with anything.

The amazing structure of the poem, the combination of cross-rhyming with internal rhymes, help build the story of a failed love story, building a chain of feelings experienced by the poet.
The first three words, “I loved you,” deliberately do not fit into the rhythmic pattern of the poem. This allows, due to an interruption in rhythm and the position at the beginning of the poem, to make the author the main semantic accent of the poem. All further narration serves to reveal this thought.

The same purpose is served by the inversions of "make you sad," "be loved." The phraseological turn crowning the poem (“God grant you”) should show the sincerity of the feelings experienced by the hero.

Analysis of the poem I loved you: love is still, perhaps ... Pushkin

Alexander Sergeevich Pushkin wrote a work, the lines of which begin with these words - "I loved you, love still, perhaps ...". These words shook the soul of many lovers. Not everyone could hold back a secret sigh when reading this beautiful and tender work. It is worthy of admiration and praise.

Pushkin wrote, however, not so mutually. To some extent, and indeed it is, he wrote about himself, wrote about his emotions and feelings. Then Pushkin was deeply in love, his heart fluttered at the mere sight of this woman. Pushkin is just an extraordinary person, seeing that his love is unrequited, he wrote a beautiful work, which nevertheless made an impression on that beloved woman. The poet writes about love, about the fact that despite what he feels for her, this woman, he still will not love her anymore, will not even look in her direction, so as not to cause her embarrassment. This man was both a talented poet and a very loving person.

Pushkin's poem is small in size, but at the same time, it contains and conceals a lot of emotions and strength, and even a little bit of some kind of desperate torment of a man in love. This lyrical hero is fraught with torment, as he understands that he is not loved, that his love will never be reciprocated. But all the same, he holds on heroically to the end, and does not even force his love to do anything to satisfy his egoism.

This lyrical hero is a real man and a knight, capable of selfless deeds - and let him miss her, his beloved, but he will be able to overcome his love no matter what. Such a person is strong, and if you try, maybe he will be able to forget his love by half. Pushkin describes feelings that he himself is well aware of. He writes on behalf of a lyrical hero, but in fact, he describes his emotions that he is experiencing at that moment.

The poet writes that he loved her immensely, sometimes hoping again and again in vain, sometimes he was tormented by jealousy. He was gentle, not expecting from himself, but still says that he loved her once, and has almost forgotten her. He also gives her, as it were, freedom, letting go of his heart, wishing her to find someone who can please her, who can earn her love, who will love her as much as he once loved. Pushkin also writes that love may not have died out completely, but it is still ahead.

Analysis of the poem I loved you: love is still, perhaps ... according to plan

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A. S. Pushkin

I loved you: love still, perhaps
In my soul it has not completely died out;
But don't let it bother you anymore;
I don't want to sadden you with anything.

I loved you silently, hopelessly.
Either timidity or jealousy languish;
I loved you so sincerely, so tenderly,
How God forbid you be loved to be different.
1829

I. Brodsky
I loved you. Love still (perhaps
that's just pain) drills into my brain.
Everything was blown to pieces.
I tried to shoot myself, but it's difficult
with weapon. And next: whiskey:
which one to hit? Spoiled not trembling, but
thoughtfulness. Crap! Everything is not human!
I loved you so much, hopelessly,
how God grant you others - but will not give!
He, being much more
will not create - according to Parmenides - twice
this heat in the blood, wide-boned crunch,
so that the fillings in the mouth melt from thirst
touch - I cross out the "bust" - mouth!
1974

STANCES. (FROM VOLTAIRE). You tell me to burn with my soul: Give me back the days that have passed, With my evening dawn You eat my morning! My age passes invisibly, From the circle of Laughter and Harit Time tells me to hide And leads me by the hand - It will not give us mercy. Whoever does not know how to apply His changeable years, He only has their misfortunes. Lucky frisky, young Let's leave the passions of delusion; We live in the world for two moments - We will give one to reason. You, who delighted the sorrows of my momentary youth, Love, dreams of the first days - Have you really run away forever? We must die twice: To say goodbye to sweet dreams - Here is a terrible death of suffering! What does it mean to not breathe after? At my cloudy sunset, In the midst of the desert darkness, So I regretted the loss of the Deceptions of my sweet dreams. Then Friendship gave me a hand to my sad voice, She was like sweet Love In only one tenderness. I brought her withered roses Of joyful youthful days, And I followed, but I shed tears That I could follow only her! 1817 Stanzas (I. Brodsky) I At parting - not a sound. Gramophone behind the wall. In this world, separation is only a different prototype. For apart, and not beside a little eyelids to adjoin until death. And after we do not lie together. II Whoever is guilty, but, going to the right, you expect retribution on a par with the innocent. We part all the more truly because we mean that we will not meet in Paradise, we will not clash in Hell. III As a podzol tears apart a plow with a furrow, righteousness divides more mercilessly than sin. Not fault, but an oversight breaks the glass. Why grieve, having split, that the wine has flowed away? IV The closer the unity, the greater the gap. Neither rapid nor influx will save the blackout. There is no more sense in our hardness. In honor - the giftedness of a fragment to lead the life of a vessel. V Fill yourself with hops, drain yourself to the bottom. We will only divide the capacity, but not the strength of the wine. Yes, and I am not ruined, even if henceforth, except for the similarity of notches, there are no common features to be seen. VI There is no division into aliens. There is a border of shame in the form of a difference in feelings with the word "never". So we mourn, but we bury, we turn to deeds, so that death, as a synonym, is divided in half. VII1 ... VIII The impossibility of meeting turns the country into a variant of the universe, although it is in breadth, envious of glory, will not yield to any Zaletei state; will surpass nakedness. IX1 ... X Why can't you destroy traces without benefit? These lines are just an echo of trouble. The overgrowth of gossip also confirms that parting is more noticeable than the merging of souls. XI And so that the hounds do not give out - neither mine nor yours - the address is my chrapoidol or yours - cherub, at parting - not a sound; only the chorus of Aonides. So the death torment hurts even during life.

/ [I loved you. Either timidity or jealousy languished. Love, perhaps, has not completely died out in my soul.

Lyrics - [I loved you. Either timidity or jealousy languished. Love, perhaps, has not completely died out in my soul.

(Song lyrics and lyrics)

: more love, maybe
In my soul it has not completely died out;
But don't let it bother you anymore;
I don't want to sadden you with anything.
I loved you silently, hopelessly,
Either timidity or jealousy languish;
I loved you so sincerely, so tenderly,
How God forbid you be loved to be different.

Translation of the song - [I loved you. Either timidity or jealousy languished. Love, perhaps, has not completely died out in my soul.

(Translation of the text of the song Anna Gusti. - [I loved you. Either timidity or jealousy languished. Love, perhaps, has not completely died out in my soul. into English #english version, in English)

: love is, perhaps,
in my soul died not quite;
But let it you are no longer worried;
I don't want to sadden you nothing.
I loved you silently, hopelessly,
The shyness, jealousy tormented;
I loved you so sincerely, so tenderly,
As God give you his beloved be different.

View Popular lyrics and translations Anna Gusti.:

Anna Gusti. - [I loved you. Either timidity or jealousy languished. Love, perhaps, has not completely died out in my soul.

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I loved you: love still, perhaps, In my soul has not completely died out; But don't let it bother you anymore; I don't want to sadden you with anything. I loved you silently, hopelessly, Now with timidity, now with jealousy; I loved you so sincerely, so tenderly, How God forbid you be loved to be different.

The verse "I loved you ..." is dedicated to the bright beauty of that time Karolina Sobanskaya. Pushkin and Sobanskaya first met in Kyiv in 1821. She was 6 years older than Pushkin, then they saw each other two years later. The poet was passionately in love with her, but Carolina played with his feelings. She was a fatal socialite who drove Pushkin to despair with her acting. Years have passed. The poet tried to drown out the bitterness of an unrequited feeling with the joy of mutual love. In a wonderful moment, the charming A. Kern flashed before him. There were other hobbies in his life, but a new meeting with Karolina in St. Petersburg in 1829 showed how deep and unrequited Pushkin's love was.

The poem "I loved you ..." is a short story about unrequited love. It strikes us with its nobility and true humanity of feelings. The unrequited love of the poet is devoid of any selfishness.

Two epistles were written about sincere and deep feelings in 1829. In letters to Karolina, Pushkin admits that he experienced all her power over himself, moreover, he owes her the fact that he knew all the shudders and torments of love, and to this day feels fear in front of her, which he cannot overcome, and begs for friendship, which he is thirsty, like a beggar begging for a chunk.

Realizing that his request is very banal, he nevertheless continues to pray: "I need your closeness", "my life is inseparable from yours."

The lyrical hero is a noble, selfless man, ready to leave his beloved woman. Therefore, the poem is permeated with a feeling of great love in the past and a restrained, careful attitude towards the beloved woman in the present. He truly loves this woman, takes care of her, does not want to disturb and sadden her with his confessions, wants her future chosen one's love for her to be as sincere and tender as the poet's love.

The verse is written in two-syllable iambic, the rhyme is cross (line 1 - 3, line 2 - 4). Of the visual means in the poem, the metaphor “love has faded” is used.

I loved you: love still, perhaps
In my soul it has not completely died out;
But don't let it bother you anymore;
I don't want to sadden you with anything.
I loved you silently, hopelessly,
Either timidity or jealousy languish;
I loved you so sincerely, so tenderly,
How God forbid you loved to be different.

Analysis of the poem "I loved you" by Pushkin

Peru of the great poet owns many poems dedicated to women with whom he was in love. The date of creation of the work “I loved you ...” is known - 1829. But the disputes of literary critics about who it was dedicated to still do not stop. There are two main versions. According to one, it was the Polish princess K. Sabanskaya. The second version names the Countess A. A. Olenina. Pushkin was very attracted to both women, but neither one nor the other responded to his courtship. In 1829, the poet proposes to his future wife, N. Goncharova. As a result, a verse dedicated to a past hobby appears.

The poem is an example of an artistic description of unrequited love. Pushkin talks about her in the past tense. Years have not been able to completely erase from memory an enthusiastic strong feeling. It still makes itself felt ("love ... did not completely die out"). Once she caused unbearable suffering to the poet, giving way to "sometimes timidity, sometimes jealousy." Gradually, the fire in his chest died out, only smoldering embers remained.

It can be assumed that at one time Pushkin's courtship was quite persistent. At the moment, he seems to apologize to his former lover and assures that now she can be calm. In support of his words, he adds that the remnants of the former feeling turned into friendship. The poet sincerely wishes a woman to find her ideal man who will love her just as strongly and tenderly.

The poem is a passionate monologue of a lyrical hero. The poet tells about the most intimate movements of his soul. The repeated repetition of the phrase “I loved you” emphasizes the pain of unfulfilled hopes. The frequent use of the pronoun "I" makes the work very intimate, revealing the personality of the author to the reader.

Pushkin deliberately does not mention any physical or moral virtues of his beloved. Before us is only an incorporeal image, inaccessible to the perception of mere mortals. The poet idolizes this woman and does not allow anyone to her even through the lines of the poem.

The work "I loved you ..." is one of the strongest in Russian love lyrics. Its main advantage is a concise presentation with an incredibly rich semantic content. The verse was enthusiastically received by contemporaries and repeatedly set to music by famous composers.